Database for Animation Studies

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Animation: A World History

A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s three-volume Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries.

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Giannalberto Bendazzi

This three-volume book is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. It offers readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas, and introduces over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries. IN ENGLISH.

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It is not easy to say what is "essential". (For myself? for everybody? for today or in all times etc.) What is essential depends by a context which does it essential or not, and all contexts are not similar...I always combine ideas that I find in different sources..In any way as you suggest "They are not necessary to deal with animation directly" I can mention books that I like and are references for me.

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