Database for Animation Studies

この項目を日本語で見る

Art and Visual Perception, A Psychology of the Creative Eye

Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.

  • Title (Japanese)
美術と視覚 : 美と創造の心理学
  • Publish Date
2004
  • Authors
  • Publisher
University of California Press
  • Book’s Website
http://www.ucpress.edu/book.php?isbn=9780520243835
  • ISBN
9780520243835
  • Webcat Plus
http://webcatplus.nii.ac.jp/webcatplus/details/book/5139919.html

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It is not easy to say what is "essential". (For myself? for everybody? for today or in all times etc.) What is essential depends by a context which does it essential or not, and all contexts are not similar...I always combine ideas that I find in different sources..In any way as you suggest "They are not necessary to deal with animation directly" I can mention books that I like and are references for me.

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