Artists
Bob Sabiston
- Uncanny Indexes: Rotoshopped Interviews as Documentary
- Roto-Synchresis: Relationships between Body and Voice in Rotoshop Animation
- Independent Animation, Rotoshop and Communities of Practice: As Seen Through A Scanner Darkly
- Bob Sabiston in Conversation with Paul Ward
- Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources
Hayao Miyazaki
- When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso
- Hayao Miyazaki’s Mythic Poetics: Experiencing the Narrative Persuasions in Spirited Away, Howl’s Moving Castle and Ponyo
- Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism
- Anime from Akira to Howl's moving castle : experiencing contemporary Japanese animation
- Japanese Animation: Time out of Mind
James Cameron
- Avatar and Utopia
- The Birth of a Stereoscopic Nation: Hollywood, Digital Empire and the Cybernetic Attraction
- Avatar: Stereoscopic Cinema, Gaseous Perception and Darkness
- Seeing Movement: On Motion Capture Animation and James Cameron’s Avatar
- Going (Digitally) Native
- Where Codes Collide: The Emergent Ecology of Avatar
- That's All Folks?: Ecocritical Readings of American Animated Features
Norman McLaren
- Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation)
- Norman McLaren Manipulator of Movement - The National Film Board Years, 1947-1967
- A Reader in Animation Studies
- Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood
Stan VanDerBeek
- Strategic Canonization and the Audio-Vision-ary Pragmatics of Stan VanDerBeek’s Culture: Intercom
- ‘A Curious Chapter in the Manual of Animation’: Stan VanDerBeek’s Animated Spatial Politics
- From Pictorial Collage to Intermedia Assemblage: Variations V (1965) and the Cagean origins of VanDerBeek’s Expanded Cinema
- POEMFIELDs and the Materiality of the Computational Screen
Walt Disney
- The Disappearance of Disney Animated Propaganda: A Globalization Perspective
- The Changing Space of Animation: Disney's Hybrid Films of the 1940s
- Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life
- Alice in Cartoonland: Childhood, Gender, and Imaginary Space in Early Disney Animation
- Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism
- Concerning the 3D Effects of the Multiplane Camera.
- Of Mice and Magic: A History of American Animated Cartoons
- Enchanted Drawings: The History of Animation
- A Reader in Animation Studies
- Animation: A World History
Winsor McCay
- Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’
- Sketching Under the Influence? Winsor McCay and the Question of Aesthetic Convergence Between Comic Strips and Film
- The Making and Re-making of Winsor McCay’s Gertie (1914)
- Before Mickey: The Animated Film 1989-1928
- Animating Space: From Mickey to Wall-E
- The Poetics of Slumberland: Animated Spirits and the Animating Spirit