Pleasurable Interplay in the 2.5-Dimensional World: Women’s Cosplay Performances in Singapore and the Philippines
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The following list of recommended references was selected and written by researchers and experts trusted by the Research and Education Committee; however, there are, of course, other important animation study references that have not been included. This list was prepared by members of the Research and Education Committee to examine more closely certain references. (Authors: Takashi KAYAMA, Akiko SUGAWA, Naomi IGARASHI, Shō KOBAYASHI)
- Takahata, Isao. Eiga wo tukurinagara kangaeta koto: Horus kara Gauche made [What I was thinking about while creating a movie: From Horus to Gauche], Bungeishunju, 2014.
- Miura, Toshihiko. Endoresueito no kyōgaku, Shunjusha, 2018.
- Okamoto, Takeshi. Anime seichi junrei no kankō shakai-gaku, Horitsu Bunka sha, 2018.
- Hori, Hikari. Promiscuous Media: Film and Visual Culture in Imperial Japan, Cornell University Press, 2018.
- Kimura, Tomoya. Animēshon eiga “Umi no shimpei” ga kaita mono-sen jiki kokusaku eiga no bunmyaku kara,"Sensō no aru kurashi” Suiseisha, 2008.
- Sugawa-Shimada, Akiko and Yonemura, Miyuki, Animēshon bunka 55 no kīwādo, Minerva Shobo, 2019.
- Sugawa-Shimada, Akiko. “Playing with Militarism in/with Arpeggio and Kantai Collection: Effects of Shojo Images in War-related Contents Tourism,” Journal of War and Culture Studies. March, 2018: 53-66.
- Sugawa-Shimada, Akiko. “Chapter 8. Shōjo in Anime: Beyond the Object of Men’s Desire.”, Shojo Across Media, Palgrave Macmillan/ Springer, 2019.
- Sugawa-Shimada, Akiko. “Pleasurable Interplay in the 2.5-Dimensional World: Women’s Cosplay Performances in Singapore and the Philippines”, Women's Manga in Asia, Palgrave Macmillan/ Springer, 2019.
- Steinberg, Marc. Platform Economy, University of Minnesota Press, 2019.
- AJA Human Resources Development Committee. Animēshon yōgo jiten, Rittorsha, 2019.
- Fukuhara, Yoshitada. animepurodhūsā ni narou ! , Kodansha, 2018.
- Ozawa, Kazunori. Animēshon no efekuto sakuga tekunikku, Genkosha, 2019.
- khara, Inc. Japan Anima (tor) 's Exhibition visual resource collection Vol.1 `Nishiogikuboeki toho 20-bu 2 LDK shiki rei 2kagetsu petto-fuka no iroiro tsumatta hon', Ground Works, 2016.
- khara, Inc. Japan Anima (tor) 's Exhibition visual resource collection Vol.2 `Tabi no robo kara no arukkata?', Ground Works, 2017.
- khara, Inc. Japan Anima (tor) 's Exhibition visual resource collection Vol.3 `Kasettogāru zen kirokuzenshū', Ground Works, 2018.
- khara, Inc. Japan Anima (tor) 's Exhibition visual resource collection Vol.4 `ME! ME! ME! BOOK! BOOK! BOOK!', Ground Works, 2018.
- Takagi, Hironori. TVPaint 11 kaisetsu-sho Ver.1.0, WIT STUDIO, 2018.
- MOBSPROOF Henshubu. Orijinarubideoanime (OVA) 80' s: Tēpu ga heddo ni karamaru mae ni, Shuppan Works, 2018.
- Takase, Tsukasa ed. Anime seisaku-sha-tachi no hōhō 21 seiki no anime hyōgen-ron, Film Art, Inc., 2019.
- Kobayashi, Shichirō. Animēshon bijutsu: haikei no kiso kara ōyō made, Fukkan Dottokomu, 2019.
- Kotabe, Yōichi and Fujita, Kenji. Manga eiga hyōryū-ki: Oshidori animētā okuyama reiko to kotabeyōichi, Kodansha, 2019.
This article discusses costume play in Japanese anime and the construction of subjectivity in women in Singapore and Philippine.（Sugawa）