It seems that animation in Korea began to be cognized from the perspective of the cultural industry as early as the latter half of the nineteen nineties, which effected diversified changes in animation in many directions. The government's support and policy and establishment of related organizations to reinforce the constitution of animation in Korea, changes in the production system of the industry to cope with the needs of varied changes in media, multangular techniques of animation production, and intensified education in collage, lead to reinforce infrastructure and short features in animation. In particular, the point here is that the windows through which animation can be presented are undergoing epochal changes owing to the initiaion of the DMB broadcasting.