Works

Resistance to a Posthuman and Retrograde Oughtopia: Exploring the Narrative of South Korea’s Sci-Fi Animation, Wonder Kiddy

The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Anime from Akira to Howl's moving castle : experiencing contemporary Japanese animation

3D Technologies that will Bring about Changes to the Production Processes and Business Structures of Animation―Findings from "ARPEGGIO OF BLUE STEEL", "KADO: The Right Answer" and "Kemono Friends."

A Reader in Animation Studies

Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life

Alice in Cartoonland: Childhood, Gender, and Imaginary Space in Early Disney Animation

Alice in Cartoonland: Childhood, Gender, and Imaginary Space in Early Disney Animation

Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life

A Reader in Animation Studies

Drawn to Sound: Animation Film Music and Sonicity

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

The Osamu Tezuka Story: A Life in Manga and Anime

Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-1974

Canadian Animation: Looking for a Place to Happen

‘I’m Not a Real Boy, I’m a Puppet’: Computer-Animated Films and Anthropomorphic Subjectivity

Understanding animation

Animating the Unconscious: Desire, Sexuality, and Animation

Heavy as a Feather: On Agnieszka Woznicka’s Birdy, Object Animation and the Moral Gravity of Things

The Birth of a Stereoscopic Nation: Hollywood, Digital Empire and the Cybernetic Attraction

The Osamu Tezuka Story: A Life in Manga and Anime

Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation)

Canadian Animation: Looking for a Place to Happen

The Animated Bestiary: Animals, Cartoons, and Culture

When Toys Come Alive: Narrative of Animation, Metamorphosis, and Development

Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-1974

The Animated Bestiary: Animals, Cartoons, and Culture

Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-1974

Toward Holistic Animacy: Digital Animated Phenomena echoing East Asian Thoughts

That's All Folks?: Ecocritical Readings of American Animated Features

Scalar Travel Documentaries: Animating the Limits of the Body and Life

Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary

Drawn to Sound: Animation Film Music and Sonicity

From Animation to Augmentation: Dennō Coil and the Composited Self

Yo-kai Watch: A New Development of Media Mix in the Age of Media Innovation

Puppet Animation Films and Gesture Aesthetics

Girl Cartoons Second Wave: Transforming the Genre

Yo-kai Watch: A New Development of Media Mix in the Age of Media Innovation

Folktales and Other References in Toriyama’s Dragon Ball

Re-Animating Space

Toward Holistic Animacy: Digital Animated Phenomena echoing East Asian Thoughts

Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Understanding animation

Roto-Synchresis: Relationships between Body and Voice in Rotoshop Animation

‘We’re Okay with Fake’: Cybercinematography and the Spectre of Virtual Actors in S1MØNE

Playable Virus: HIV Molecular Aesthetics in Science and Popular Culture

A Universe of Boundaries: Pixilated Performances in Jan Švankmajer’s Food

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Girl Cartoons Second Wave: Transforming the Genre

That's All Folks?: Ecocritical Readings of American Animated Features

Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation)

The Changing Space of Animation: Disney's Hybrid Films of the 1940s

The Making and Re-making of Winsor McCay’s Gertie (1914)

Japanese Animation: Time out of Mind

Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation)

Drawn to Sound: Animation Film Music and Sonicity

Japanamerica: How Japanese Pop Culture Has Invaded the U.S.

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

That's All Folks?: Ecocritical Readings of American Animated Features

The Line and the Animorph or `Travel Is More than Just A to B'

Frank Grimes’ Enemy: Precarious Labour and Realism in The Simpsons

Animating the Unconscious: Desire, Sexuality, and Animation

Anime from Akira to Howl's moving castle : experiencing contemporary Japanese animation

Hayao Miyazaki’s Mythic Poetics: Experiencing the Narrative Persuasions in Spirited Away, Howl’s Moving Castle and Ponyo

Experiments in Documentary Animation: Anxious Borders, Speculative Media

Never Quite the Right Size: Scaling the Digital in CG Cinema

Folktales and Other References in Toriyama’s Dragon Ball

Violence, Chases and the Construction of Bodies in American and Soviet Animated Series

3D Technologies that will Bring about Changes to the Production Processes and Business Structures of Animation―Findings from "ARPEGGIO OF BLUE STEEL", "KADO: The Right Answer" and "Kemono Friends."

3D Technologies that will Bring about Changes to the Production Processes and Business Structures of Animation―Findings from "ARPEGGIO OF BLUE STEEL", "KADO: The Right Answer" and "Kemono Friends."

Tarantino the Cartoonist

The Osamu Tezuka Story: A Life in Manga and Anime

The Animated Bestiary: Animals, Cartoons, and Culture

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

The Animated Resurrection of the Legend of the White Snake in Japan

Drawn to Sound: Animation Film Music and Sonicity

Girl Cartoons Second Wave: Transforming the Genre

The Making and Re-making of Winsor McCay’s Gertie (1914)

The Poetics of Slumberland: Animated Spirits and the Animating Spirit

Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’

Girl Cartoons Second Wave: Transforming the Genre

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture

Image Future

Girl Cartoons Second Wave: Transforming the Genre

The Translocalized McDull Series: National Identity and the Politics of Powerlessness

The Mastery Machine: Digital Animation and Fantasies of Control

The Mastery Machine: Digital Animation and Fantasies of Control

Girl Cartoons Second Wave: Transforming the Genre

Animating the Unconscious: Desire, Sexuality, and Animation

`Yeah Looks Like It N'All . . .': The `Live Action' Universe and Abridged Figurative Design and Computer Animation within Modern Toss

Kenzo Masaoka’s Lip Syncing and its Representations

The Shadow Staff: Japanese Animators in the Tōhō Aviation Education Materials Production Office 1939–1945

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture

Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer

Understanding animation

Animating the City: Street Art, Blu and the Poetics of Visual Encounter

The Poetics of Slumberland: Animated Spirits and the Animating Spirit

Inquiries around Animation and Moving Image: Anime, Animation and Animating.

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Animation as Intertextual Cinema: Nezha Naohai (Nezha Conquers the Dragon King)

Girl Cartoons Second Wave: Transforming the Genre

Canadian Animation: Looking for a Place to Happen

Re-Animating Space

POEMFIELDs and the Materiality of the Computational Screen

Never Quite the Right Size: Scaling the Digital in CG Cinema

Animated Worlds of Magical Realism: An Exploration of Satoshi Kon’s Millennium Actress and Paprika

A Film of One’s Own: The Animated Self-Portraits of Young Contemporary Female Animators

When Toys Come Alive: Narrative of Animation, Metamorphosis, and Development

The Politics of Media in Stan Vanderbeek's Poemfields

Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-1974

Yo-kai Watch: A New Development of Media Mix in the Age of Media Innovation

All Aboard The Polar Express: A ‘Playful’ Change of Address in the Computer-Generated Blockbuster

Hayao Miyazaki’s Mythic Poetics: Experiencing the Narrative Persuasions in Spirited Away, Howl’s Moving Castle and Ponyo

When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso

Japanamerica: How Japanese Pop Culture Has Invaded the U.S.

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Rango, Ethics and Animation

Canadian Animation: Looking for a Place to Happen

Animating the Unconscious: Desire, Sexuality, and Animation

‘We’re Okay with Fake’: Cybercinematography and the Spectre of Virtual Actors in S1MØNE

Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources

Animating the Real: A Case Study

Unsung Heroes of Animation

Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography

Tarantino the Cartoonist

Canadian Animation: Looking for a Place to Happen

The Changing Space of Animation: Disney's Hybrid Films of the 1940s

Towaeds a theory of voice actors: a turning point in professional voice acting seen in the "anime boom".

Kenzo Masaoka’s Lip Syncing and its Representations

Drawing Voices

Experiments in Documentary Animation: Anxious Borders, Speculative Media

The Ballad of a Thin Man: In Search of Ryan Larkin

Telling ‘What Is’: Frame Narrative in Zbig Rybczynski’s Tango, Wendy Tilby and Amanda Forbis’s When the Day Breaks, and Yuri Norstein’s Tale of Tales

The Animated Bestiary: Animals, Cartoons, and Culture

Line and Colour in The Band Concert

The Animated Bestiary: Animals, Cartoons, and Culture

Aaron McGruder’s The Boondocks and its Transition from Comic Strip to Animated Series

Canadian Animation: Looking for a Place to Happen

Puppet Animation Films and Gesture Aesthetics

Unsung Heroes of Animation

A Reader in Animation Studies

Puppet Animation Films and Gesture Aesthetics

A Reader in Animation Studies

Morel_Moreau_Morella: The Metamorphoses of Adolfo Bioy Casares’ Invention in a (Re)Animating Universe

The Animated Bestiary: Animals, Cartoons, and Culture

Understanding animation

Quantification and Substitution: The Abstract Space of Virtual Cinematography

Re-Animating Space

Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation)

When Toys Come Alive: Narrative of Animation, Metamorphosis, and Development

Les Oscars du film d'animation: Secrets de fabrication de 13 courts-métrages récompensés à Hollywood

Animating the Unconscious: Desire, Sexuality, and Animation

Disney-Formalism: Rethinking ‘Classic Disney’

Experiments in Documentary Animation: Anxious Borders, Speculative Media

Animation on Trial

Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary

Animating the Unconscious: Desire, Sexuality, and Animation

Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer

Re-Animating Space

Animating with Facts: The Performative Process of Documentary Animation in the ten mark (2010)

The Changing Space of Animation: Disney's Hybrid Films of the 1940s

Shadow of A Mouse: Performance, Belief, and World-Making in Animation

When Toys Come Alive: Narrative of Animation, Metamorphosis, and Development

Understanding animation

Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life

Violence, Chases and the Construction of Bodies in American and Soviet Animated Series

Unsung Heroes of Animation

Hand-Made Television: Stop-Frame Animation for Children in Britain, 1961-1974

Animating Joyce: Tim Booth’s Ulys

Animating Joyce: Tim Booth’s Ulys

Re-examining Uproar in the Studio Known as the First Chinese Animation

Strategic Canonization and the Audio-Vision-ary Pragmatics of Stan VanDerBeek’s Culture: Intercom

Animating Space: From Mickey to Wall-E

The Ballad of a Thin Man: In Search of Ryan Larkin

Cinematic Collecting: The Continuous Discontinuity of the Still Frame in Oskar Fischinger’s Walking from Munich to Berlin

Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary

Animated Recollection and Spectatorial Experience in Waltz with Bashir

Animating the Unconscious: Desire, Sexuality, and Animation

Nervous Light Planes

Animating the Unconscious: Desire, Sexuality, and Animation

Canadian Animation: Looking for a Place to Happen

When Toys Come Alive: Narrative of Animation, Metamorphosis, and Development

Contents Tourism in Japan: Pilgrimages to “Sacred Sites” of Popular Culture

Girl Cartoons Second Wave: Transforming the Genre

Media Mix Mobilization: Social Mobilization and Yo-Kai Watch

Yo-kai Watch: A New Development of Media Mix in the Age of Media Innovation

Nervous Light Planes

_grau – an organic experimental film

Animating the Unconscious: Desire, Sexuality, and Animation

Hybrid animation in Europe