Categories

Aaron McGruder’s The Boondocks and its Transition from Comic Strip to Animated Series

Disorienting the Past, Cripping the Future in Adam Elliot’s Claymation

Morel_Moreau_Morella: The Metamorphoses of Adolfo Bioy Casares’ Invention in a (Re)Animating Universe

Heavy as a Feather: On Agnieszka Woznicka’s Birdy, Object Animation and the Moral Gravity of Things

‘Picture by Picture, Movement by Movement’: Melbourne-Cooper, Shiryaev and the Symbolic Body

Telling ‘What Is’: Frame Narrative in Zbig Rybczynski’s Tango, Wendy Tilby and Amanda Forbis’s When the Day Breaks, and Yuri Norstein’s Tale of Tales

‘We’re Okay with Fake’: Cybercinematography and the Spectre of Virtual Actors in S1MØNE

The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture

Quantification and Substitution: The Abstract Space of Virtual Cinematography

Animated Recollection and Spectatorial Experience in Waltz with Bashir

Woody Abstracted: Film Experiments in the Cartoons of Shamus Culhane

Animating the City: Street Art, Blu and the Poetics of Visual Encounter

Re-Animating Space

Platonic Sex: Perversion and Shôjo Anime (Part One)

Reenacting Ryan: The Fantasmatic and the Animated Documentary

Animating the Real: A Case Study

The Birth of a Stereoscopic Nation: Hollywood, Digital Empire and the Cybernetic Attraction

Woody Abstracted: Film Experiments in the Cartoons of Shamus Culhane

Animating the Photographic Trace, Intersecting Phantoms with Phantasms: Contemporary Media Arts, Digital Moving Pictures, and the Documentary’s ‘Expanded Field’

Dryden Goodwin in Conversation with Barnaby Dicker

The Veiled Genealogies of Animation and Cinema

Make-Believing Animated Films Featuring Digital Humans: A Qualitative Inquiry Using Online Sources

Karol Irzykowski and Feliks Kuczkowski: (Theory of) Animation as the Cinema of Pure Movement

Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography

A Thought on the Fleischer Brothers’ Rotoscope: the Problem of the Racial Repression of the Black Body.

Frank Grimes’ Enemy: Precarious Labour and Realism in The Simpsons

The Blow Book, Performance Magic, and Early Animation: Mediating the Living Dead

Extracinematic Animation: Gregory Barsamian in Conversation with Suzanne Buchan

Rethinking Plasticity: The Politics and Production of the Animated Image

Simulation and the Labour of Invisibility: Harun Farocki’s Life Manuals

The Shot Length Styles of Miyazaki, Oshii, and Hosoda: A Quantitative Analysis

Rethinking Plasticity: The Politics and Production of the Animated Image

From Animation to Augmentation: Dennō Coil and the Composited Self

Experiments in Documentary Animation: Anxious Borders, Speculative Media

Drawing Voices

The Blow Book, Performance Magic, and Early Animation: Mediating the Living Dead

A Universe of Boundaries: Pixilated Performances in Jan Švankmajer’s Food

Romancing the Rotoscope: Self-Reflexivity and the Reality Effect in the Animations of Jeff Scher

Hallucinatory Vision and the Blurring of the Subject in Jeremy Blake's `Time-Based Paintings'

Animating the Photographic Trace, Intersecting Phantoms with Phantasms: Contemporary Media Arts, Digital Moving Pictures, and the Documentary’s ‘Expanded Field’

Puppet Animation Films and Gesture Aesthetics

Drawing Animation

Movements within Movements: Following the Line in Animation and Comic Books

`Yeah Looks Like It N'All . . .': The `Live Action' Universe and Abridged Figurative Design and Computer Animation within Modern Toss

Experiments in Documentary Animation: Anxious Borders, Speculative Media

Animating the Photographic Trace, Intersecting Phantoms with Phantasms: Contemporary Media Arts, Digital Moving Pictures, and the Documentary’s ‘Expanded Field’

Animating the Photographic Trace, Intersecting Phantoms with Phantasms: Contemporary Media Arts, Digital Moving Pictures, and the Documentary’s ‘Expanded Field’

POEMFIELDs and the Materiality of the Computational Screen

Puppet Animation Films and Gesture Aesthetics

Subanimation: Verina Gfader in Conversation with Takehito Deguchi and Koji Yamamura

Animation on Trial

Quantification and Substitution: The Abstract Space of Virtual Cinematography

Lev Kuleshov on Animation: Montaging the Image

Disney’s Alice Comedies: A Life of Illusion and the Illusion of Life

Flotsam and Jetsam: The Spray of History

Entertainment and Instruction as Models in the Early Years of Animated Film: New Perspectives on Filmmaking in France

Mamoru Oshii’s Production of Multi-layered Space in 2D Anime

Kenzo Masaoka’s Lip Syncing and its Representations

The Line and the Animorph or `Travel Is More than Just A to B'

Re-examining Uproar in the Studio Known as the First Chinese Animation

‘Picture by Picture, Movement by Movement’: Melbourne-Cooper, Shiryaev and the Symbolic Body

`Yeah Looks Like It N'All . . .': The `Live Action' Universe and Abridged Figurative Design and Computer Animation within Modern Toss

Mochinaga Tadahito: His Puppet Animations and Musical.

Calligraphic Animation: Documenting the Invisible

The Line and the Animorph or `Travel Is More than Just A to B'

Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation)

Animation as Intertextual Cinema: Nezha Naohai (Nezha Conquers the Dragon King)

Cinematic Collecting: The Continuous Discontinuity of the Still Frame in Oskar Fischinger’s Walking from Munich to Berlin

Entertainment and Instruction as Models in the Early Years of Animated Film: New Perspectives on Filmmaking in France

The Aesthetics of Keyframe Animation: Labor, Early Development, and Peter Foldes

Nervous Light Planes

Movements within Movements: Following the Line in Animation and Comic Books

Tarantino the Cartoonist

Roto-Synchresis: Relationships between Body and Voice in Rotoshop Animation

The Mastery Machine: Digital Animation and Fantasies of Control

‘A Curious Chapter in the Manual of Animation’: Stan VanDerBeek’s Animated Spatial Politics

From Pictorial Collage to Intermedia Assemblage: Variations V (1965) and the Cagean origins of VanDerBeek’s Expanded Cinema

_grau – an organic experimental film

The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture

Reenacting Ryan: The Fantasmatic and the Animated Documentary

The Shadow Staff: Japanese Animators in the Tōhō Aviation Education Materials Production Office 1939–1945

Kenzo Masaoka’s Lip Syncing and its Representations

Animation and the Powers of Plasticity

Woody Abstracted: Film Experiments in the Cartoons of Shamus Culhane

Experiments in Documentary Animation: Anxious Borders, Speculative Media

Puppet Animation Films and Gesture Aesthetics

Subanimation: Verina Gfader in Conversation with Takehito Deguchi and Koji Yamamura

The Mastery Machine: Digital Animation and Fantasies of Control

Immobile Sections and Trans-Series Movement: Astroboy and the Emergence of Anime

Re-examining Uproar in the Studio Known as the First Chinese Animation

Borderline Animation

Folktales and Other References in Toriyama’s Dragon Ball

Phonograph Toys and Early Sound Cartoons: Towards a History of Visualized Phonography

Woody Abstracted: Film Experiments in the Cartoons of Shamus Culhane

Animation as Intertextual Cinema: Nezha Naohai (Nezha Conquers the Dragon King)

Telling ‘What Is’: Frame Narrative in Zbig Rybczynski’s Tango, Wendy Tilby and Amanda Forbis’s When the Day Breaks, and Yuri Norstein’s Tale of Tales

Observations on the History and Uses of Animation Occasioned by the Exhibition Eyes, Lies and Illusions Selected from Works in the Werner Nekes Collection

Telling ‘What Is’: Frame Narrative in Zbig Rybczynski’s Tango, Wendy Tilby and Amanda Forbis’s When the Day Breaks, and Yuri Norstein’s Tale of Tales

Telling ‘What Is’: Frame Narrative in Zbig Rybczynski’s Tango, Wendy Tilby and Amanda Forbis’s When the Day Breaks, and Yuri Norstein’s Tale of Tales

Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’

The Shadow Staff: Japanese Animators in the Tōhō Aviation Education Materials Production Office 1939–1945