Animation has often involved some degree of drawing, but ‘boiling’ and animated sketching are two unique forms of drawn animation that overtly foreground the process of drawing. In this article, the author looks at these two specific approaches to drawn animation, paying special attention to the history, process, and evolutionary qualities of animated sketching; he focuses on the processes and material essence of the ‘boiling’ image. Both of these approaches produce forms that are at once immobile and mobile and, within this dichotomy of movement, the process of drawing is further accentuated. These will be discussed in light of broader discussions of the theory and process of animation and drawing. Additionally, these discussions will be set against a (somewhat informal) backdrop of process philosophy in an effort to further underscore the importance of the drawing process in the production and presentation of these two methods of animation.
- Puppet Animation Films and Gesture Aesthetics
- Boiling Lines and Lightning Sketches: Process and the Animated Drawing
- Disorienting the Past, Cripping the Future in Adam Elliot’s Claymation
- ‘Diagrams of Motion’: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay