In the 1990s, Japanese anime sophisticated both the visual and voice detabases for character creation. These two databeses usually cooperate in a cimplementary manner in order to construct characters in the audio-visual medium. However, there is still always the possibility that they operate inconsistently. And sometimes, a brand-new character type is born from the inconsistent and varying combinations of the visual and voice detabases. An outstanding example of the phenomenon is Haruka Tenou, one of the mostpopular characters in the TV series Sailor Moon (1992-97). In contrast to the otaku consumption suggestet by Hiroki Azuma, feminist alternative readings of the work have been activated and dubbed characters have been cues for the alternative possibilities of gender and sexuality.
- Platonic Sex: Perversion and Shôjo Anime (Part One)
- Immobile Sections and Trans-Series Movement: Astroboy and the Emergence of Anime
- Platonic Sex: Perversion and Shôjo Anime (Part Two)
- When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso
- Tarantino the Cartoonist
- Explosive, Expulsive, Extraordinary: The Dimensional Excess of Animated Bodies
- From the `Cinematic' to the `Anime-ic': Issues of Movement in Anime
- Star-Spangled Ghibli: Star Voices in the American Versions of Hayao Miyazaki's Films
- The Many Faces of Internationalization in Japanese Anime
- Aaron McGruder’s The Boondocks and its Transition from Comic Strip to Animated Series
- Voice and Vision in Oshii Mamoru’s Ghost in the Shell: Beyond Cartesian Optics
- Toward Holistic Animacy: Digital Animated Phenomena echoing East Asian Thoughts
- The Shadow Staff: Japanese Animators in the Tōhō Aviation Education Materials Production Office 1939–1945
- Mamoru Oshii’s Production of Multi-layered Space in 2D Anime
- Satoshi Kon’s Millennium Actress: A Feminine Journey with Dream-Like Qualities
- Spirited Away: Conceptualizing a Film-Based Case Study through Comparative Narratives of Japanese Ecological and Environmental Discourses
- The Shot Length Styles of Miyazaki, Oshii, and Hosoda: A Quantitative Analysis
- Folktales and Other References in Toriyama’s Dragon Ball
- Animated Worlds of Magical Realism: An Exploration of Satoshi Kon’s Millennium Actress and Paprika
- A Tale Humans Cannot Tell: On Jin-Roh: The Wolf Brigade
- Hayao Miyazaki’s Mythic Poetics: Experiencing the Narrative Persuasions in Spirited Away, Howl’s Moving Castle and Ponyo
- From Animation to Augmentation: Dennō Coil and the Composited Self
- Media Mix Mobilization: Social Mobilization and Yo-Kai Watch
- The Rotoscopic Uncanny: Aku no Hana and the Aesthetic of Japanese Postmodernity
- Japanimation (Anime)’s Expressions and the Inside (Part 1): from Joon Yang Kim’s Empire of Images: Animation on Japanese Islands
- Japanimation (Anime)’s Expressions and the Inside (Part 2): From Joon Yang Kim’s Empire of Images: Animation on Japanese Islands.
- Towaeds a theory of voice actors: a turning point in professional voice acting seen in the "anime boom".
- Concerning the Anime Directing Method for Limiting the Quantity of Drawings to 3500 Sheets per Each Episode of a TV Series in Toei Animation Studio Co. Ltd.: the Director Is Responsible for Limiting the Issue of Quantity Rather Than the Animator.
- Japanimation (Anime)'s Expressions and the Inside (Part 2): From Joon Yang Kim's Empire of Images: Animation on Japanese Islands.
- How the releasing strategies of Miyazaki Hayao's works have changed in the United States.
- Concerning the anime directing method for limiting the quantity of drawings to 3500 sheets per episode of a TV series in Toei Animation Studio Co. Ltd. (Part 2): The Directorial Strategy in Japanese TV Anime.
- The Deviating Voice from the Visual: Representations of Female Characters and Feminist Critism in the 1990s' Anime.
- Inquiries around Animation and Moving Image: Anime, Animation and Animating.