The Origin of Things in the Japanese Film Industry
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My book, Nihon no animēshon wa ika ni shite seiritsu shita no ka (How Japanese Animation Was Created), covers a period of almost 100 years, starting with the Meiji era when foreign animation was first screened in Japan. I focus on animation located at peripheries and boundaries, and I examine how the concept of animation was created and developed in Japan. I wish to provide a list of books, perhaps arbitrarily, that, I believe, can be used as references in terms of the history of animation in Japan; I combined with my own book.
- Yoshiyama, Kyokko. The Origin of Things in the Japanese Film Industry, Shinema To Engeisha, 1933.
- Yanai, Yoshio. The Protection and Control of Moving Pictures, Yuhikaku, 1929.
- Imamura, Taihei. Manga eiga ron, Daiichi Genbunsha, 1941.
- Tanaka, Junichiro. History of the Development of Japanese Educational Films, Kagyusha, 1979.
- Mori, Takuya. Animēshon Nyūmon, Bijutsu Shuppan-Sha, 1966.
- Yamamoto, Eiichi. Mushi puro koubouki – animeita no seishun, SHINCHOSHA Publishing Co., Ltd., 1989.
- Yamaguchi, Katsunoti and Watanabe, Yasushi. History of Japanese Animation, Yubunsha, 1977.
- Ōtsuka Yasuo. Sakuga ase mamire [Revised and updated]), Bungeishunju, 2013.
- Japan Animation Association. Ways to Make Animated Films by 12 Authors, SHUFU TO SEIKATSU SHA CO.,LTD., 1980.
- Tsugata, Nobuyuki. Nihon Animēshon no Chikara: 85-nen no Rekishi o Tsuranuku Futatsu no Jiku, NTT Publishing Co.,Ltd., 2004.
There are only a few descriptions of animation, but these few descriptions are highly significant when thinking about Meiji-era animation. This text does not even use the term “manga eiga” (manga film), which means it is a valuable recoYrd of an era when animation and trick films were not yet separated.